Showing posts with label economy. Show all posts
Showing posts with label economy. Show all posts

Tuesday, March 27, 2018

The wealth - nature boundary

Elements of the Dutch landscape - 14 - updated after finding more examples

During our walks we often pass through the village - nature boundary. Often the most expensive-looking houses are placed on this borderline.
Dordrecht

Hekendorp
There is nothing surprising about this. The most expensive houses should be located on the most expensive plots. And the most expensive plots should be those that border open views over land or water.

Dordrecht
I have not had the time to read about this phenomenon in my "Urban economics" book, but I expect it will be explained there.

Hitland - Capelle aan den IJssel
A FENCE (Carl Sandburg - Chicago Poems)
Now the stone house on the lake front is finished
and the workmen are beginning the fence.
The palings are made of iron bars with steel points
that can stab the life out of any man who falls on them.
As a fence, it is a masterpiece,
and will shut off the rabble and all vagabonds and hungry men
and all wandering children looking for a place to play.
Passing through the bars and over the steel points will go nothing
except Death and the Rain and To-morrow.

Zoetermeer
Let us note however that Brussels for instance has a different sociospatial structure (see Goffette-Nagot et al. (2000)). Brueckner et al. (1999) cite three types of amenities: natural (parks or rivers for instance), historical (e.g. monuments) and modern ones (theaters, swimming pools, etc.).

Where in cities do ”rich” and ”poor” people live? The urban economics model revisited Remi Lemoy, Charles Raux, Pablo Jensen
Hazerswoude
It might be an artefact of a protected nature boundary. It you're looking out into a protected nature reserve there is a guarantee that your view will remain intact. This should enhance your property value.
Hazerswoude

Alblasserdam

Sunday, July 30, 2017

Rotterdam places of pilgrimage - 7

Previous parts of this series are here:  part 0, part 1, part 2, part 3, part 4, part 5, part 6.
The map belonging to this series is here.

Recently I found the Rotterdam Visitor: Summer & Fall 2017 Free City Guide That advertises itself as All you need to know about our city. It is a solid brochure that combines information and commerce without being irritating. In the middle of the brochure is a map with Rotterdam highlights.
The highlights are as follows and I totally agree with them. If you're a tourist visiting Rotterdam these are the places you will be most interested in. I think you could manage these sights in two to three days:
  •  Highlights: Market Hall - Lawrence Church - Cube Houses - Euromast - Central Station -  Erasmus Bridge - SS Rotterdam - Spido - Harbour
  • Nature in the city: The Park - Kralingse forest - Vroesenpark
  • Museums: Boijmans van Beuningen - Museum Rotterdam - Maritiem Museum - Wereldmuseum - Kunsthal
  • Meet the street: Schouwburgplein - Karel Doormanstraat - Hofbogen - Zwaanshals & Zaagmolenkade - Pannekoekstraat & Botersloot - Hoogstraat & Binnenrotte - Binnenweg - Witte de Withstraat - Oude Haven - Historisch Delfshaven - Wilhelminapier & Kop van Zuid - Deliplein
  • Shopping: De Koopgoot - De Bijenkorf - Van Oldenbarneveltstraat - Lijnbaan
  • Rotterdam tourist information: Central Station - Coolsingel
I know all of these places except the SS Rotterdam. I never understood the attraction of that almost failed project. When you mark these areas on the map you get the picture above. I'm pleased to see that many of my places of pilgrimage fall outside the marked area. But many still fall within the marked area! I will have to work harder.
The brochure also contains one of the shortest summaries of the history of Rotterdam:
Rotterdam - Was founded in 1270 - Became an official city in 1340 - Owes its name to the river Rotte - Has over 600.000 inhabitants - Has the largest port in Europe - Was bombed on May 14 1940 - Second largest city of the Netherlands 
History of Rotterdam - The history of Rotterdam goes back about nine centuries. In the 12th century a seawall was built to protect the country from the North Sea, which had free movement in the mouth of the river Maas. This dike - the Schielands High Sea Wall - ran from the Westzeedijk to the Schiedamsedijk via the Hoogstraat to the Oostzeedijk and the Groenedijk. Mid 13th century a dam was placed in the Rotta where the Hoogstraat and the river cross. Around this dam a settlement of fishermen emerges. Soon trade flourishes and the first ports come into existence, such as the Oude Haven and the Haringvliet. In 1340 Rotterdam is granted the status of 'city'. Canals are dug and in 1360 a city wall is being built. The Port city of Rotterdam is born! 
16th century - Rotterdam rebels against the Spanish occupiers. The city is expanding with new ports and defence mechanisms. Rotterdam is growing as a port and commercial city. 
17th century - Trade flourishes under the influence of the East Indian Company (1602) and West Indian Company (1621) and the Merchant Adventures (1935). The growing city with its tolerant governance attracts scientists and philosophers from all over Europe. The printing & publishing industry flourishes. 
18th century - Stagnation. The country is overshadowed by England and later France. 
19th century - Under influence of the industrialization trade with Britain and America grows and the exploration of Africa increases. The city is growing. Businessman and politician Lodewijk Pincoffs and city architect G. de Jongh play an important role in developing the city. 
20th century - WW I brings stagnation and economic crisis. WW II brings a.o. the bombing. After 1950, the city ascends. Reconstruction sets in, the port expands and the industry grows. 
21st century - The city is blooming! The New York Times proclaims Rotterdam no. 10 of Places to Go!

Monday, July 10, 2017

Particles of deep topography - 23

Mannequins

Text: The White Hands and Other Weird Tales (Mark Samuels)
Text: Matthew 16, 24-26
Text: My Work Is Not Yet Done (Thomas Ligotti)
Illustrations: Empty storefronts in Rotterdam, 2016

Sometimes we go through life automatically. We're no better than the mannequins that we see in shop windows. Pretending to be alive, but never succeeding:
As I drew closer to the mannequin I noticed that the background hiss had acquired a new element. There were definite words amongst the static, though broken and garbled, like speech distorted by poor radio reception. I could not make out the words, but the voice seemed to speak as if in pain: almost as if it were incoherent with that pain.

It's about priorities, opportunity costs and discernment. Not easy at all:
What good will it be for someone to gain the whole world, yet forfeit their soul? Or what can anyone give in exchange for their soul?
Finally, looking back from the deathbed of your entire life in the working world, you would be left exclaiming, ‘What was that all about!’ (In this sense the world of the company mirrored the world itself, which sometimes managed to stage a rousing first act, and perhaps even provide a few engaging scenes of a second before devolving into a playwright’s nightmare, wherein the actors either butchered their lines or entirely forgot them, scenery collapsed, props misfired, and most of the audience left the theater during intermission.)
It's about disrupting the robotic voices coming from inside the puppet:
‘You’re making too much of this,’ said one of those secondary selves that are implanted inside every one of us and that come to attention on these occasions, spitting forth idiotic clichés like a mad schoolmaster from a worn-out textbook of conventional wisdom.

About this series Over the years I've collected many place descriptions. It's a waste to keep them on my harddisk. So I'll publish them from time to time. I will add some pictures when suitable.
Enhanced and amplified topographies can be found in a broad range of literature. The best ones link to metaphysics or mysticism and (pre-) load the landscape with unexpected layers, sheets, slabs and strata of meaning. We can appropriate all this work to enrich our everyday surroundings.

Previous posts are 1:The paranoid method, 2:Rooftops and sacrifices, 3:Oil and electricity,  4:Sewing machines, 5:Rooftops and apparitions, 6:Woods, 7:Mushrooms, 8:Formlessness (2d), 9:Formlessness (3d), 10:Autumn, 11:Monsters and mad scientists, 12:Empty spaces, 13:Stars and planets, 14:Addiction against emptiness, 15:Suggestive vagueness,  16: Ominous places and books, 17: Military technology, 18: Ominous telephones, 19: Observation, 20: History distortion, 21: Spy stories, 22: Dead places.

Sunday, April 3, 2016

Found poetry from FT Wealth


I am always slightly inconvenienced by this add-on to the Financial Times with its glossy format. But since I had it in my bag anyway, I read it cover to cover. It was quite interesting actually and well written. Some quotes stuck in my mind and I had to arrange them into a found poem. It has a slightly melancholic, existential feeling. (FTWealth, March 2016, Issue 37)

More found poetry here:
from blog comments, from bot texts, from Rotterdam graffiti,
from Flickr comments, from spam and more spam.


To assist the authorities with their investigations

Would you entrust your health to a robot?
So why entrust your wellbeing?

For a split second you wonder
what it would be like
to be a bit more ordinary,
but where would that get you?

Plus, what are the exit charges
if you leave?

Back then,
a lot of things were done
on gut and hunch
but now the world
is obsessed with numbers.

The only guarantee is
that we will be here 30 years from now,
and we will not allow
any activities to distract us.

Of course,
it might have been destroyed;
but it still could exist
and if so,
it is likely standing outdoors
in some garden in France or England,
unidentified.

You have to believe
that as long as you made no mistake,
the government
will not mess with you.




Friday, May 8, 2015

Failed Starbucks mysticism

The text on the Starbucks paper bag says:

Flavors my senses
Sweetens my disposition
Stirs my imagination
Nourishes my dreams

I find this offensive. It took me some time to discover why. Then I remembered  that in Kings of the Road, Wim Wenders has one of the characters observe that "the Yanks have colonized our subconscious". This feels like an infiltration attempt, an infection attempt. A memetic implant.
I prefer not to have my soul soiled by commercial coffee. I'm tempted to make a sticker with this text and put it on McDonald's hamburgers. Or other low-grade foodstuffs.

Others have noticed the memetic attack but they are more relaxed about it:
Sources:
http://attheback.blogspot.nl/2012/05/kings-of-road.html
http://cargocollective.com/sannejehoul/ENG-American-Culture-and-the-German-identity-crisis-in-Wim-Wenders-s
https://twitter.com/thedanimills/status/3755265244
https://twitter.com/AlixSe/status/5300986647
https://twitter.com/_iAmTheGeneral/status/82606126142730242
https://twitter.com/ToFFyMENcHaveZ/status/137092906136780802

Sunday, January 19, 2014

Little brother

Today I found some one's OV-Chipcard (wireless RFID public transport card). Of course I handed it to the proper authorities (at Beurs metro station) and I hope the owner can reclaim it. This might be difficult because it's an anonymous card, without the owner's identity.
I could not resist and I printed out the data on the card to check how anonymous such a card really is.
Valid until 01 07 2018
Stored amount 14,36 euro, not automatically re-charged
Valid for RET only

08 01 2014 17:09 Check-out Kralingse Zoom 1,33 euro
08 01 2014 16:57 Check-in  Blaak

08 01 2014 8:24 Check-out Blaak 1,33 euro
08 01 2014 8:14 Check-in Kralingse Zoom

07 01 2014 17:01 Check-out Kralingse Zoom 1,33 euro
07 01 2014 16:52 Check-in  Blaak

07 01 2014 8:16 Check-out Blaak 1,33 euro
07 01 2014 8:09 Check-in Kralingse Zoom

06 01 2014 17:17 Check-out Kralingse Zoom 1,33 euro
06 01 2014 17:05 Check-in  Blaak

02 01 2014 19:35 Charged with 25 euro at Unknown station

This looks like the history of an industrious working life.

It is strange that the card contains less than 18,35 euro. Probably not all the transaction are printed on the receipt. With an RFID reader I could probably get the whole history.

Sunday, November 10, 2013

The beauty of disenchantment

A long time ago I saw a painting by the German painter Michael von Ofen in Kunstforum. It was called "Frühindustrie" (Early Industry) and showed an old factory in an (otherwise) idyllic landscape. I mis-remembered the artists name and it took me a long time to find the painting on the Internet. But is still has the same effect on me, one of enchantment:
It felt very romantic, pastoral and magical. But according to Max Weber this should not be the case:
Max Weber famously discussed the “disenchantment of the world” in a 1917 lecture, by which he meant the loss of the overarching meanings, animistic connections, magical expectations, and spiritual explanations that had characterized the traditional world, as a result of the ongoing “modern” processes of rationalization, secularization, and bureaucratization: “the increasing rationalization and intellectualization . . . means that principally there are no mysterious incalculable forces that come into play, but rather that one can, in principle, master all things by calculation. This means that the world is disenchanted.”
This single painting has sensitized me to the beauty of early industry in other artworks. Somehow early industry (and science) don't feel cold and disenchanted, but romantic, cute and human-scaled. Warmer and friendlier than our own industries. From Marx I know this is wrong, but the feeling persists anyway.
Johan Bartold Jongkind - View on Montmartre - ca. 1850 - oil on canvas - Museum Boijmans van Beuningen
Notice how in the early Jongkind steam power still competes with wind power and even animal power. It would be interesting to read more about the struggle between wind, water and steam. Probably it took longer and it was more gradual than the term "industrial revolution" suggests.
Camille Jacob Pisarro - The Oise near Pontoise in gray weather - 1876 - oil on canvas - Museum Boijmans van Beuningen
Disenchantment ... is the historical process by which the natural world and all areas of human experience become experienced and understood as less mysterious; defined, at least in principle, as knowable, predictable and manipulable by humans; conquered by and incorporated into the interpretive schema of science and rational government. In a disenchanted world everything becomes understandable and tameable, even if not, for the moment, understood and tamed.

George G. Lemmen - Factories on the bank of the Thames - ca. 1892 - oil on canvas - Museum Kröller Müller
But the many charming paintings with early industry prove that contemporary painters saw their beauty and maybe were aware of the romance of the subject. But maybe they just registered the contemporary landscape with an analytic and objective eye. No added significance. Just "what you see is what you get".
George Hendrik Breitner - Timber rafts in the snow near Zandhoek - 1903 - oil on cardboard on panel
Enchantments did not disappear entirely, but were marginalized in various ways. Wonders and marvels were relegated by elites to the ghettos of popular culture in the seventeenth and eighteenth centuries and the new mass culture that succeeded them in the late nineteenth and twentieth centuries. In addition, enchantments became associated with the cognitive outlooks of groups traditionally cast as inferior within the discourse of Western elites: “primitives,” children, women, and the lower classes. Rational adults could partake of enchantments through the exercise of their imaginations, but despite the protestations of romantics, the imagination continued to be cast as inferior to reason.

 
References:
Michael von Ofen:
http://www.van-ham.com/datenbank-archiv/datenbank/michael-van-ofen.html
http://www.sieshoeke.com/artists/michael-van-ofen
http://www.shift-ev.de/artists/ofenwerk/gr/bild03.html
Disenchantment:
https://www.ned.univie.ac.at/sites/default/files/20505/saler%202.pdf
http://www.maxweberstudies.org/MWSJournal/1.1pdfs/1.1%2011-32.pdf
Early industrialization:
http://de.wikipedia.org/wiki/Wei%C3%9Feritztal
http://de.wikipedia.org/wiki/Industriemuseum_Lauf
http://de.wikipedia.org/wiki/Stra%C3%9Fe_der_Arbeit
Impressionism:
http://www.metmuseum.org/toah/hd/imml/hd_imml.htm

Sunday, November 3, 2013

The Financial Solar System

In August 2011 I participated in the Suffolk Psychogeophysics Summit. We organized an outdoor closing session on the steps of Ipswich Town Hall. There were technical demo's (computer interpreted tea-leaf reading, ghost detection) and improvised noise performances. I had written a short lecture on the Financial Solar System. It was an attempt to change the state of the world through artistic ritual. The ritual did not work. Everything is a mess, as always. But maybe you can make it work.
Sun
In alchemy the Sun is associated with Gold. We are at the center of the financial solar system.
From here emanates the force that keeps the universe together. Here are the central banks, keeping the whole financial universe running by determining interest rates, controlling the nation's money supply and by being the "lender of last resort" for all the other banks. For all those banks we - as taxpayers - had to bail out recently.
It is rumored the financial markets are influenced by sunspots. The financial system worked tidily - like a mechanical clock - initially wound up by Jupiter himself.
It continued ticking along - as a perfect machine - with its gears governed by the laws of economics. And we humans thought that every single part of the machine was completely predictable.
That is what we thought. Until everything came crashing down.
Mercury
Next we come to Mercury, the planet closest to the sun.
Mercury is the Roman god of money and commerce. But Mercury is also a trickster and the god of cunning thieves. The ancients knew how to choose their symbols.
In alchemy mercury is known as quicksilver, a liquid metal. It indicates volatility or fluidity and it is also called the ‘water of life’.
Liquidity is what keeps the financial solar system running. Assets that can be easily bought or sold, are known as liquid assets and a high level of trading activity implies high liquidity. When no one trusts anyone trading stops and the system grinds to a halt. That is the financial system crash we are now witnessing.
Venus
Venus is the goddess of love and beauty and the second brightest object in the
night sky. In astrology Venus is associated with the principles of harmony, beauty and
balance.
We all know that men are from Mars and women are from Venus. Economists think that the financial crisis could have been avoided if more women were employed in speculative investing. Women are less likely to choose a risky job in finance. And if they speculate they are more careful and take less risks. It all has to do with the level of testosterone.
Venus is the planet associated with copper. At the moment the Chinese are buying up all the copper they can get, because it is one of the few valuable commodities left in the western world.
Earth
Our own home planet, the planet where finance is booming, busting and blowing bubbles. Causing volatility and chaos. Disturbing the clockwork.
The earth is divided in a northern hemisphere, with bank-managers with multi-million dollar salaries and even bigger bonuses. And a southern hemisphere, where a billion people live in poverty, surviving
on less than a dollar a day.
The heart of the financial system lies in America - one of the most religious countries in the world.
For a religious American the right question is to ask: “What would Jesus do?” Jesus went into the temple of God, and cast out all who sold and bought and he overthrew the tables of the moneychangers. And he said to them, It is written, My house shall be called the house of prayer; but you have made it a den of thieves.
Mars
Mars is the red planet, the god of war and bloodshed. Astrologically Mars presides over the genitals, the gonads and the muscular system. On Wall Street a big-time trader or salesman is also called a “big swinging
dick”. Did I mention testosterone already?
But if we talk about the god of war and bloodshed - let us quote Marx, the revolutionary philosopher:
The weapon of criticism cannot, of course, replace criticism by weapons, material force must be overthrown by material force. Theory becomes a material force as soon as it has gripped the masses.
We are the masses Marx is talking about. How long will we tolerate that a mysterious financial alchemy determines our lives?
Jupiter
Now we have arrived at the giant planets. And who are the giants of the financial system?
The world's most powerful investment bank is Goldman Sachs. It has been described as follows: “a great vampire squid wrapped around the face of humanity, relentlessly jamming its blood funnel into anything that smells like money”.
The Goldman money-making machine is running at $38m per day - or $1.58m per hour. In each second you listen to me Goldman will make another $439 of profit.
In Roman mythology Jupiter is the ruler of the gods and their guardian and protector, and the CEO of Goldman Sachs has once said that he is just a banker "doing God's work."
Saturn
In Western astrology Saturn is associated with the principles of limitation, restrictions and boundaries. The things we have now run up against in finance. Saturn is also considered to represent the part of
a person concerned with long-term planning. Which was lacking for a long time.
In Indian astrology, Saturn is the bringer of bad luck and hardship.
With the coming of the financial crisis panic is in the air. Stocks are falling. Treasury bond yields are plunging. Confidence is low and fear is in the air. Nowadays everyone wants to buy gold and maybe – when all the speculation is over – the gold bubble will burst. All the speculative gold will turn into lead.
In alchemy Saturn is associated with the metal Lead.
The modern planets
We have now left the classical planets that were known to the ancients. Since the invention of the telescope, Western astrology has incorporated Uranus, Neptune, and Pluto.
I will not talk much about modern financial techniques, because they are abhorrent. If we had stuck with classical finance we could have avoided the chaos that is dominating our financial solar system.
I will give just three frightening examples:
Uranus
Modern astrology associates Uranus with new and unconventional ideas and inventions. It is the planet of sudden and unexpected changes and originality.
High frequency trading uses sophisticated technological tools and computerized algorithms to analyze incoming market data. A trader holds an investment position just for very brief periods of time - even just seconds - and rapidly trades into and out of those positions, sometimes thousands or tens of thousands of times a day.
Pluto
The International Astronomical Union has downgraded the status of Pluto to that of a "dwarf planet". And Standard & Poor's rating agency has downgraded the U.S. credit rating, one notch below AAA saying that the U.S. government’s finances are “less stable and less predictable.” Maybe the U.S. will sometimes become a financial dwarf.
The god Jupiter is away on business. Our predictable clockwork system is disintegrating.

Outer space
We are now in outer space and the sun is just a tiny shining dot far away. Remember the word “liquidity”?
Out in far financial space are the frightening dark pools of liquidity, also referred to as dark liquidity or simply dark pools. They represent large trades by financial institutions that are anonymous and concealed from the public. Here institutional investors can buy and sell without showing their hand to others. There is no longer a fair and transparent market, the transaction s are clouded and are comparable with murky water.
Finish
We are at the end of our journey through the financial solar system. It was turbulent and volatile journey. How will be the rest of the spaceflight? It has been demonstrated that predictions are unreliable – especially if made by experts.
Financial doom and world apocalypses have been predicted for centuries. Somehow we managed to survive. But that is no guarantee against a future apocalypse.

Friday, September 27, 2013

The bookshop of doom

I was in this prematurely air-conditioned supermarket and there were all these aisles. And there were these bathing caps that you could buy that had these kind of Fourth-of-July plumes on them that were red and yellow and blue. And I wasn't tempted to buy one, but I was reminded of the fact that I had been avoiding the beach.
No ...
I was in this bookshop in Thun, Switzerland. And there were all these aisles. And there were all those books predicting the downfall of Western Civilization. And they were red, white and grey. And I wasn't tempted to buy one, but I was reminded of the fact that we're living in the end times. Just look at the titles above:
 
The fun stops where money begins
The Euro liars
The billion debt bomb
Cold foreclosure
How much bank does a man need?

And at the other side of the aisle:
He who loses culture loses everything
The West and the rest of the world
The downfall of the West
The next cold war, China against the West
 
And a few steps further:
How much is enough?
Why nations fail?
Crime scene Euro

May you live in interesting times ... well, whoever ordered them, he can have them back ...

References:
Einstein on the beach - http://www.youtube.com/watch?v=IeR9l1sxHLQ
Thalia bookshop Thun

Friday, May 17, 2013

Wild nature victorious

This is the season of the cherry blossom. Everywhere the trees are in full bloom. Each year it is a spectacular sight. But if we look closely we see a horror scenario, like something from the movie "Alien".
The beautiful Japanese cherry (Prunus Serrulata Kwanzan) is a cultivar. The branches with the double pink blossoms have been grafted upon a stock of wild cherry (Prunus Avium). The strong wild cherry has been mutilated and robbed of its branches. And then it has been enslaved. And now it is exploited by the weaker, decadent and artificially implanted (elite bourgeois) branches of the cultivated cherry.
But this is an unstable situation. Given the chance, the wild stock will try to make branches of its own. And being wild and more vigorous it quickly starts to overpower the weaker branches of the cultivated scion. If left unchecked, the white, smaller and more natural looking flowers will win.
This does not happen in all the trees, but just in a minority (1 in 10, as far as I can see, in my tiny sample). The ratio of pink to white flowers varies from tree to tree. But the wild variety grows much quicker and gradually overtakes the whole tree, leaving only a tiny bit of pink.
And sometimes the revolution fails and kills all everyone, both the exploiter and the exploited.

Note:
I could not resist mixing half-understood Marxism and traditional horticultural techniques. There are several things wrong with the metaphor. The scion still does a lot of work, it does photosynthesis and fruit production. The stock takes care of the root system, absorption of nutrients and mechanical stability. So maybe it is more a case of symbiosis than exploitation? But, from a different angle, the stock can only be truly "itself " when it produces its own leaves and flowers. The stock looks more "alienated" than the scion. But that is only an anthropocentric projection, because we appreciate flowers more than roots. So I'm still undecided.

References:
http://en.wikipedia.org/wiki/Grafting
http://en.wikipedia.org/wiki/Prunus_serrulata
http://en.wikipedia.org/wiki/Prunus_avium
http://en.wikipedia.org/wiki/Proletarian_revolution