Monday, January 25, 2016

Rotterdam - Places of pilgrimage - 5

I'm building a mental map of meaningful places in Rotterdam. There is one rule: I have to remember the place myself, without artificial memory aids. I cannot use my photo archive and I cannot use books. It has to be personal.

The previous lists of pilgrimage destinations are here: part 1part 2part 3 and part 4. And there are
also these pages about specific destinations: a park, another park and an allotment garden.
The complete map can be browsed on Google maps.

Surprising how difficult it is to locate these places on the map of Rotterdam. In my memory they're stored like a chain of places: A > B > C, how to travel from A to C. Not: where am I on the map. I have to re-travel this path to re-discover the exact location.
I had to search my archives to locate these places. I still don't have the map of Rotterdam in my head.

Building personal Google maps is very processor-intensive. Too hard for my old laptop. I need a stronger computer.
  1. The strange school tower, Den Hertigstraat - This is a spooky tower on a school building. It has no visibly obvious function (probably stairs or elevators) and has face-like windows at the top. Like some abstract, but ominous guard.
  2. The strangely truncated poplar trees, Millinxpark - These trees have been cut through the middle, leaving them shapelessly decapitated.
  3. The glass display case, Millinxstraat - I think local children can display their treasures here. I saw porcelain animals and model trains.
  4. Strange school tower, Blazoenstraat - Several schools in this area have towers, chimneys or stairways that look slightly threatening. Like some abstract, but ominous guard tower.
  5. Strange school and tower, Zwartewaalstraat, Gaesbeekstraat - This large old school has towers (chimneys, stairways or escalators) that look slightly threatening. They are topped by tiny houses. There are also a few free standing utility-buildings shaped like tiny houses. A strange ensemble.
  6. Strange school tower, Hoogvlietstraat - This large old school has towers (chimneys, stairways or escalators) that look slightly threatening. They are topped by tiny houses.
  7. The passage between the churches, 's-Gravendeelstraat - A green passage between two old schools/churches. American-style evangelist congregations are housed here (I think). It is a peaceful place, not accessible for cars.
  8. The telephones, Oostendam, Lange Hilleweg - Behind the glass, inside this cluttered antique shop several old telephones are gathering dust. Massive Bakelite dials and buttons, textile covered cables. Reminds me of the cold war and Dali. Would this shop ever sell something? How long will it last?
  9. The playing cards, Oostendam, Lange Hilleweg - Here I found several playing cards laying in the street. Scattered by the wind, moistened by the rain. It's not rare to find them scattered in city streets. I always wonder what happened.
  10. The dark, massive school building, Lange Hilleweg - A large, dark school building with an arched entrance. Inside there must be long tiled floors and high tiled walls and massive stone stairways with metal and wood railings. Something to haunt your youth. Later I found out it was the convent of St. Francis.
  11. The ornate lingam, Paul Krugerstraat, Afrikaanderplein - A postmodern obelisk, well-made, coloured, ornamented. Many different materials. Looks out over the park and echoes the crescent moon above the dome of the mosque. Later I found out it's the "Monument for migrant workers".
  12. The magpie tree, Hoogvlietstraat - A tree on the corner where once I saw a gathering of more than 20 magpies.
  13. The convent, Putselaan - It is also called "The convent" and has two saints guarding the front entrance.
  14. The ornate fence around the playground, Putselaan, Hillevliet - A low fence made from thick metal bars. This looks more like something from Paris than from Rotterdam.

Thursday, January 14, 2016

Conversa #51 background material

Thomas Walskaar - My Hard Drive Died Along With My Heart
Had a wonderful evening at Conversa #51 with:
  • Thomas Walskaar (My Hard Drive Died Along With My Heart)
  • Petr Kazil (The Materiality of Cloud Technologies)
  • Sijing Zhang (Translation Intuition)
Below is some background material for the cloud talk.
Picture credits Oana Clitan and Berenice Staiger
James Bridle has several interesting essays on the materiality of the Internet:
And he has a longer and more detailed description of traceroute:
Amsterdam datacenter tour with Tijmen
These are nice books on the materiality, economics and power-relations of the Internet:
This is a great site on High Frequency Trading and its microwave towers. There are many parts to this story, among them:
Amsterdam datacenter tour with Tijmen
And two good books on HFT and the underlying technology
A few relevant weblogs about cloud and mobile technology:


Idea for projects - if anyone thinks this is fun, then contact me through Facebook:
  • Visiting the landing sites for the undersea cables - probably nothing to see there
  • Finishing the tour of Amsterdam datacenters - more boring steel boxes
  • Publishing the "26 Amsterdam datacenters" booklet
  • Visiting the Rotterdam telecom substations - more boring utility buildings

Sunday, January 10, 2016

Datura search

In my university days I discovered the writings of Carlos Castaneda. Inspired by him (and though I don't think his writings are "true") I bought the book Gift und Arzneipflanzen in Mitteleuropa (Poisonous and medicinal plants of Middle-Europe) for a more scientific insight into this fascinating subject. Since then I've been actively looking for edible, medicinal and poisonous plants. And especially for Datura Stramonium, the thorn-apple, because it is beautiful and uncanny.
Datura Stramonium along a parking lot in Wachendorf, Germany
It took years before I saw my first datura. This was a tiny plant in the Rotterdam harbour growing along a deserted warehouse. Nowadays this place has been gentrified and the ecology has been erased.
I collected the seeds and later planted them on my balcony and along the railway embankment on my way to work. Both plantings prospered but neither had staying power. No plant returned the next season. Now I suspect that the soil was too rich and the ecology too friendly. This fiendish plant likes fiendish surroundings.
An egde-land area reminiscent of the Amsterdam Datura sighting.
The following years I had a few rare sightings of Datura. In Germany I saw many plants in bloom at the edge of a parking lot, but it was too early for seedpods. On the outskirts of Amsterdam I saw a beautiful ripe plant, but I was on a business trip and couldn't visit managers while carrying a dry poisonous bush.
Datura in bloom in the dunes of Hoek van Holland.
Recently I discovered many vigorous datura plants in Hoek van Holland. The first time was frustrating because the plants were in bloom and the seedpods were green and closed. But in December I revisited this area and collected many ripe seedpods. This is not easy, the stems of the plant are extremely tough and the seedpods are hard and very prickly.
I hope that the many families with children that visit the dunes stay away from these plants, they are surprisingly abundant here.
I will never try this and neither should you! - I think you should never experiment with Datura. It is highly poisonous and the margin between a deadly dose and a hallucinogenic dose is very thin. And the concentration of active ingredients is highly variable. So you never know how much you ingest. Finally Datura is a deliriant drug and many Datura trips are highly unpleasant.
Just looking at this plant and reading about its scary properties is sufficiently mind-bending for me.
I intend to plant the seeds somewhere out of reach of humans and especially children. I now have a better idea of the ecology this plant likes: highly disturbed and recently disturbed sandy soil. I know a few places where it could feel at home. We will see what happens next.

Monday, December 28, 2015

Ephemera experiment - pre-zine - 2

Background - I'm thinking about making a one-page zine. And I'm looking for ideas.
I also need more room in my home, so I'm sorting my ephemera to see what I don't want to keep. Just like in my previous experiment. This time I'll keep almost 90% and I had hoped for less.

Which ephemera will not be kept? - You can click the picture for a bigger view.
What kind of ephemera will not be kept? These are the first raw data. The numbers in square quotes refer to my previous experiment:
  1. Events and exhibits I didn't visit - these were picked up just in case. [3,4] And events that I did visit, but that I'm unlikely to forget, so I don't need no souvenirs.
  2. Picpus magazine - A very nice free zine that I see in random places. These will not be kept in their entirety, but the most interesting pictures and texts will be cut out and pasted in my personal scrapbook. There they will be more alive than in my archive.
  3. Mini posters - These PrintRoom posters are beautifully designed and (riso) printed but I have no place to exhibit them nor to store them. Some details will go into my scrapbook.
  4. Killer magazine - A very nice free A4-zine from Amsterdam. Interesting articles on fashion, airport life, liberal arts, gender and much more. I read it with pleasure. I'll take care to put it somewhere where it will be read by more people.
  5. Tubelight magazine - A free art magazine mostly found in galleries. The most interesting pictures and texts will go in my scrapbook.
  6. Religious brochures - I picked these up in churches I visited. But I know most of the theology already.
  7. The Third Rail - A wonderful free art magazine. But the format is too big for me to store anywhere. I'll re-distribute it in the city.
  8. Zines - A few zines, hand-made in the classic  (copy and staple) manner. But these are too cryptic for my enjoyment. - And a few nicely produced zines (print and bind) they don't fit my criteria, these are mostly purely informational or purely artistic. I'll take care to put them somewhere where they will be read by more people.
  9. Exhibition catalogs from Tent and Witte de With - Great galleries but these exhibitions inspired me less than others. [7]
  10. Fashion catalogs - I collect these for the glamorous realities, pictures and stories they create. A wonderful fictional world that tells a lot about how we see ourselves. But these do not tell this story very well.
Which ephemera will be kept? - A personal hypothesis:
  • I'm not collecting zines for the information content nor for their souvenir value. Also not for their artistic value (but artistic value is a bonus).
  • I'm collecting zines mostly for their "high strangeness" value. I collect booklets and brochures that are "far out" and evoke feelings of wonder, mystery or puzzlement.
  • But they should not be so "far out" that they become totally incomprehensible. They should hover on the edge between sense and chaos. Those are rare.

Sunday, December 6, 2015

From a strange planet - 10

Road webcam fascination

The silent pictures of Scandinavian traffic-webcams have a strange fascination for me. My previous outpourings of webcam obsession are here: part 1part 2part 3part 4part 5part 6 part 7part 8 and part 9I've  used video, fiction, literary criticism, art, topography and surveillance technologies to think through this window on far-away places.

Hypothesis
These webcam images are a modern equivalent of romantic landscape painting. And it's good to study the details. The key to the meaning is in the details.

Details and events
Sometimes (rarely) things happen in these far-away places. The images are so static and devoid of human action that anything is enhanced, however small it is. Noticing even minor events is strangely satisfying. See also part 7 for more events.

Especially if it's something exotic like reindeer, and more reindeer. Far away and close by.
 
 
Or foxes (probably) or cats?
 
But also when it's relatively banal like buzzards and crows.
 
Or even broken road-sign flapping in the wind.
And a garbage bin, waiting for the garbage-truck at the side of the road.
And more garbage bins and luggage (this sounds like an Ed Ruscha book-title).
 
 Travelers and passengers.
 
 Sheep, sheep and more sheep.
  
 
 And more walkers.
 
See if you can spot some new events! 

Sources:
http://webkamera.vegvesen.no/kamera?id=100080
http://webkamera.vegvesen.no/kamera?id=100109
http://webkamera.vegvesen.no/kamera?id=110409
http://webkamera.vegvesen.no/kamera?id=110411
http://webkamera.vegvesen.no/kamera?id=110414
http://webkamera.vegvesen.no/kamera?id=112323
http://webkamera.vegvesen.no/kamera?id=791209
http://webkamera.vegvesen.no/kamera?id=832796

Friday, November 20, 2015

From a strange planet - 9

Road webcam fascination

The silent pictures of Scandinavian traffic-webcams have a strange fascination for me. My previous outpourings of webcam obsession are here: part 1part 2part 3part 4part 5part 6 part 7part 8I've  used video, fiction, literary criticism, art, forensic science and surveillance technologies to think through this window on far-away places.

Long term changes - longitudinal analysis
Because I've followed the webcams since 2013 I'm able to compare before- and after images and I'm able to notice both sudden and gradual changes. This time-wasting activity is strangely relaxing and satisfying. Maybe other people feel this when solving Sudoku puzzles.

Privacy enhancements
Some camera views have been obscured. I cannot look into some gardens anymore and cannot watch people stepping into the bus. Instead I see a nice Malewich-like abstract landscape intervention. This has its own charm.
And just for fun I searched the camera on StreetView, to get another view of the scene. Would I recognize the scene if I saw it from the non-camera viewpoint?
Who did it - not me!
I wonder if this privacy enhancement was a spontaneous action of the Norwegian road authority (Vegvesen) or if someone complained about invasion of privacy. Maybe they saw my weblog? (Wish I was so popular!)
And again a view of the camera for this scene, with the camera and a much more primitive shelter. And a Google camera that photographed it's own shadow while photographing a camera:
Tree cutting
And sometimes trees are cleared, revealing a deeper and wider view of the (non-) landscape. It was this tree that first drew my attention to this place. Now it's gone. And tire-tracks disappear spontaneously without human intervention.
And again I found the camera. Looking on Streetview I saw that this road runs along a fjord, I've been loking at this scene a whole year long and I never suspected it. And the box on the right is not for selling stuff, it's just a garbage bin.
Three minor changes. Otherwise nothing much changes in these far-away places.

Hello world!
Is there anyone reading this blog who lives near these places? Then we could do a live performance. (But I fear no one from Norway reads this blog. If  you do ... contact me at urbanadventure at xs4all dot nl.)

Sources:
http://webkamera.vegvesen.no/kamera?id=110414 + StreetView
http://webkamera.vegvesen.no/kamera?id=112323 + StreetView
http://webkamera.vegvesen.no/kamera?id=100080 + StreetView

Sunday, November 15, 2015

Leif Elggren - interesting even without sound

EXTENDED HONEYMOON - A work by Leif Elggren a day - Now at 76 items

Sven Schlijper-Karssenberg is compiling a fascinating list of artworks by Leif Elggren.

Note:
I (uair01) only have one CD of this artist (45 minutes from underneath the beds) so I have no idea how his other works sound. But the descriptions are exciting to read, even without the sounds. They stimulate the imagination. It would be a pity to let them evaporate on Facebook. That's why I saved a private list of the descriptions on this weblog (with permission of the author). My favorite is nr.41, the most recent one, because there are so many complex layers in this artwork: performance, urban exploration, etching, recording, object-making etc.



EXTENDED HONEYMOON - A work by Leif Elggren a day - Sven Schlijper-Karssenberg

For the past few weeks I've written a piece a day on a work by King Leif. So far 25 works... have been detailed. And there's much more on the way. You ain't seen nothing yet as the Museum Elggren Collection is massive.

01 - We Are All Born to Become Angels CD - http://on.fb.me/1OIBKO1
02 - The Kings Curve Cassette - http://on.fb.me/1M8RYjd
03 - Namibia Cassette - http://on.fb.me/1LnX2N0
04 - Zzz CD - http://on.fb.me/1RopWy0
05 - The Rocking Chair 7" - http://on.fb.me/1MBKv6o
06 - Sleepwalking Cassette - http://on.fb.me/1PAt50i
07 - Dead Soldiers Book - http://on.fb.me/1Xkhunv
08 - Sacramental Meals book - http://on.fb.me/1OSCI91
09 - Lampo Folio 3 Leaflet- http://on.fb.me/1jB5G1V
10 - The New Immortality 7" - http://on.fb.me/1KoxTxO
11 - Three Aural Representations 7" - http://on.fb.me/1NUhAQY
12 - The Worried Ones CD box - http://on.fb.me/1NJHxkp
13 - Untitled Drawing - http://on.fb.me/1GpPr1p
14 - 2x1 Minute Cassette - http://on.fb.me/1PAtwYz
>> - For Sven and Gerliene Suite of drawings - http://on.fb.me/1W5TGqm
15 - Elggren/Nordwall live CD - http://on.fb.me/1ZXOyDX
16 - Y&B Pin + Invitation Card - http://on.fb.me/1LnXmvg
17 - A Cat with a Duodenum CD - http://on.fb.me/1ZXODrf
18 - Sleep Disorders #6 Book + CD - http://on.fb.me/1hTViAB
19 - Gottesdienst CD - http://on.fb.me/1Gim69n
20 - Is There A Smell on the Other Side? CD - http://on.fb.me/1RoqWSK
21 - That Little Idiot (Telling Truths) Book - http://on.fb.me/1QTCKN9
22 - Something Like Seeing in the Dark Book - http://on.fb.me/1hTVuzK
23 - Lampo #95 Leaflet - http://on.fb.me/1hTVuzK
24 - Arranging for an Opening of a Teleport to Shangri-La Invitation card - http://on.fb.me/1GSxMuc
25 - Double Sleep on Stream of Unconsciousness Volume 9 Cassette - http://on.fb.me/1MT9mYa

26 - Part Twenty-Six: The New Immortality #2
https://www.facebook.com/sven.schlijper/posts/973763282664836

27 - Part Twenty-Seven: In Sleep the Knives are Sharpened
https://www.facebook.com/sven.schlijper/posts/974259545948543

28 - Part Twenty-Eight: If Other People Exist (they are totally sealed secrets
https://www.facebook.com/sven.schlijper/posts/975472185827279

29 - Part Twenty-Nine: The Internationale
https://www.facebook.com/sven.schlijper/posts/975900125784485

30 - Part Thirty: Jean-Philippe Antoine / Marcel Broodthaers & King Leif's 'Objet Métal Esprit'
https://www.facebook.com/sven.schlijper/posts/976415599066271
Part Thirty: Jean-Philippe Antoine / Marcel Broodthaers & King Leif's 'Objet Métal Esprit'
https://www.facebook.com/sven.schlijper/posts/976415599066271

31 - Part Thirty-One: Physiological Frequencies, Drawings from 2004 – 2009 at Gallery Niklas Belenius, 03.12.2009 - 07.01.2010
https://www.facebook.com/sven.schlijper/posts/976890889018742

32 - Part Thirty-Two: Experiment with Dreams by King Leif and Thomas Liljenberg
https://www.facebook.com/sven.schlijper/posts/977318418975989

33 - Part Thirty-Three: The Answers by King Leif and Thomas Liljenberg
https://www.facebook.com/sven.schlijper/posts/978734125501085

34 - Part Thirty-Four: The Codfish Suit by King Leif and Thomas Liljenberg
https://www.facebook.com/sven.schlijper/posts/979266388781192

35 - Part Thirty-Five: 9.11 by King Leif and Thomas Liljenberg
https://www.facebook.com/sven.schlijper/posts/979757802065384

36 - Part Thirty-Six: Ebola & Swedish Dreamers by King Leif and Thomas Liljenberg
https://www.facebook.com/sven.schlijper/posts/980128972028267

37 - Part Thirty-Seven: Two Thin Eating One Fat by King Leif and Thomas Liljenberg
https://www.facebook.com/sven.schlijper/posts/981933585181139

38 - Part Thirty-Eight: UGN / MAT by King Leif, Per Jonsson & Kent Tankred
https://www.facebook.com/sven.schlijper/posts/982384418469389

39 - Part Thirty-Nine: The Sudarium of St Veronica by King Leif & Claude Mellan
https://www.facebook.com/sven.schlijper/posts/982817078426123

40 - Part Forty: Tre Verksamma på 27 Plan [Three at Work on 27 Areas]
https://www.facebook.com/sven.schlijper/posts/983271461714018

41 - Part Forty-One: Cu (Framförande XIX) – The light room / The dark room; can you hear it?
https://www.facebook.com/sven.schlijper/posts/983825591658605


42 - International Art Exhibition invitation
 https://www.facebook.com/sven.schlijper/posts/985183854856112

43 - Variations on a theme by Pierre Degeyter (Celebration of a revolution) by King Leif & Pär Thörn, recorded live at KRETS Gallery, Stockholm, Sweden on April 4, 2009
https://www.facebook.com/sven.schlijper/posts/985618471479317

44 - Live in London (Touch Radio 23)
https://www.facebook.com/sven.schlijper/posts/986061121435052
https://www.facebook.com/photo.php?fbid=986060334768464&set=a.170073516367154.30939.100000935206696&type=3

45 - Live in LA by King Leif, Per Svensson and Carl Michael von Hausswolff
https://www.facebook.com/sven.schlijper/posts/986513111389853

46 - Untitled 7” (Die Stadt) by John Duncan, Carl Michael von Hausswolff and King Leif
https://www.facebook.com/sven.schlijper/posts/986999704674527

47 - Something very very very special from the collection... A photo-polymer cliché. Straight from LetterpressAmsterdam.
https://www.facebook.com/photo.php?fbid=987481514626346&set=a.256670234374148.58324.100000935206696&type=3

48 - The Cobblestone is the Weapon of the Proletariat

49 - 50 - The North is Protected

1 - 50 - List of posts

51 - Clocktower Radio Show
https://www.facebook.com/sven.schlijper/posts/990845690956595

52 - 53 - 54 - Isola de San Michele (including Table of the Dead), The North is Protected II (Death in Venice) and Toteninsel (works by King Leif and King Carl-Michael with (a.o.) Jan Håfström, Marja-Leena Sillanpää, Tommi Grönlund, Petteri Nisunen, Anders Tomrén)
https://www.facebook.com/sven.schlijper/posts/993677677340063

57 - 58 - 59 - 60 - All specimens of Yellow & Black in the collection
https://www.facebook.com/sven.schlijper/posts/997271550314009

61 - HEMLIGSTÄMPLAT by King Leif and Thomas Liljenberg (or is it? their names blacked out on the insert! top secret originality!)
https://www.facebook.com/sven.schlijper/posts/998932636814567

62 - Flown Over by and Old King catalog
https://www.facebook.com/sven.schlijper/posts/999426453431852

63 - RGB [An audio spectrum] by King Leif, souRce-research and Matmos
https://www.facebook.com/sven.schlijper/posts/1002001419841022

64 - 65 - Ventilation and Ventilation Cabinet
https://www.facebook.com/sven.schlijper/posts/1002685286439302

66 - Virulent Images / Virulent Sound
https://www.facebook.com/sven.schlijper/posts/1003374836370347

67 - Ingalill
https://www.facebook.com/sven.schlijper/posts/1004096716298159

68
Part Sixty-Eight: Like Dust Under A Mother's Knife by King Leif and Kevin Drumm
https://www.facebook.com/sven.schlijper/posts/1004701956237635

69 - Trop Tôt by King Leif & Francisco Meirino (with Laura Daengeli)
https://www.facebook.com/sven.schlijper/posts/1006377652736732

70 - 71 - 72 - 73 - Un Peu Comme Voir dans la Nuit // Movements in the Dust exhibition // LUFF Live Performance (w/ Emanuel Swedenborg) // RTS Emission Spéciale Radio show (all October 2013, Lausanne, Switzerland)
https://www.facebook.com/sven.schlijper/posts/1006884662686031

74 - YELLOW & BLACK. Exhibition at Jr. Konsthallen, Linköping, Sweden. Aug 16-Oct 5, 2008
https://www.facebook.com/sven.schlijper/posts/1006914792683018

75 - 76 - Das Dreidimensionelle Schriftsprache by King Leif and Média Médiums Vernissage Concert by King Leif with Jean-Philippe Antoine
https://www.facebook.com/sven.schlijper/posts/1007584149282749